W ith Oscar Sunday around the corner, prognosticators are issuing their final say as to who will win and who should win. And though the Best Actor race has focused on a certain longtime runner-up, much of the should win talk has centered on the man who resurrected Steve Jobs for the big screen: Michael Fassbender. The German-Irish actor, who's up for his second Academy Award and first for a leading role, received widespread praise for his intense, studied performance in Steve Jobs, playing the Apple pioneer during three high-stakes moments in his career. Fassbender spoke to TIME about the Shakespearean couple of years he's had, the problem with picking winners and losers in cinema and whether we may someday see him as a man of song and dance. TIME: I've heard Steve Jobs, the film, described as Shakespearean, which is a bit of a coincidence given that you recently played Macbeth. Do you think that's an accurate description? Michael Fassbender: Definitely. The way Aaron [Sorkin] writes to a rhythm wouldn't be dissimilar to the way that Shakespeare is written in verse.
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And when he's on vacation or working, he turns his devices off. And since he's almost always working ("Jobs" is his third movie this year; he'll likely have at least four in 2016), people know not to expect an immediate reply. "The levels of communication now, whether it's texting, answering the phone, emailing, twittering... where does one find the time? " Fassbender asks. "It's an annoyance. Bing! Bing! Bing! We'd all be in a better place mentally, I think, if we just turned them off and looked at each other. " Twitter: @glennwhipp MORE: Oscar Watch: 'The Martian, ' 'Steve Jobs' and 'Bridge of Spies' make their cases Hollywood Film Awards billed as the launch of awards season, but CBS won't air it this year Critics' lasting impressions from TIFF ahead of fall movie releases and award season
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I would love to do that! I think it's time. (Laughs) We try and bring comedy in as much as I can to any part, really. I just think it's such a powerful thing, to leave audiences open to experience other emotions. I'd love to do more of that, to be honest.
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I can be naked and working! " We did say Fassbender has two uses for the phone. The other, revealed during a tandem interview with Boyle the day after "Jobs" had its gala screening at the New York Film Festival, comes down to another kind of convenience. The technology, he says, gives people the ability to easily, instantly communicate if they're running late or can't find the location for a meet-up. "So what did we do before? " Boyle asks his friend, curious. "I just remember hours of waiting. Or people not waiting, " Fassbender says. "Or going to the wrong place. There were so many of those occasions, don't you think? " "I don't actually, " Boyle answers, a response that makes Fassbender double over with laughter. "That's entirely possible, " the actor replies. "It might just be me. " "Steve Jobs" plays out in three distinct acts, each taking place backstage before a splashy product launch, introducing and expanding Jobs' relationships with family members and colleagues and technological devices and, in the process, revealing the essence of the man.
And in the third act, I wore that iconic (black turtleneck) outfit with the glasses. " It's also the act in which Jobs' humanity struggles to the surface. "I played him with the utmost respect. I never tried to play him as a cruel person, but as somebody who was passionate about his vision, " says Fassbender. "He pushed for the best, sometimes to the breaking point. But when you're changing the world in such Teutonic kind of way, then maybe that's what is required. " Read or Share this story:
"My hypothesis going into this was that deep down, Steve believed himself to be kind of an irreparably damaged person, unworthy of being liked or loved, " says Sorkin. "But he had enormous talent and ability to make products. " That approach has brought Steve Jobs attention and controversy as it opens across the nation through Oct. 23. Steve Jobs experienced turmoil throughout its production. Original director David Fincher dropped out of the project, while Christian Bale and Leonardo DiCaprio both withdrew from talks to star. Jobs' widow, Laurene Powell Jobs, reportedly lobbied to stop the film and Jobs' successor Tim Cook called it "opportunistic. " CLOSE 'Steve Jobs' details the life of Apple's co-founder. "We've had some interesting moments, " says Boyle. "But Steve Jobs is a huge public figure that's had an enormous influence on our lives. It's necessary that these people are not just deified. " The uncompromising Jobs is shown through three product launches and 15 years, butting heads with central figures such as Apple co-founder Steve Wozniak (Seth Rogen), Apple CEO John Sculley (Jeff Daniels) and oldest daughter Lisa.